And although he spoke about local achievements - that the most generous forecasts turned out to be a third lower than the real results - these words will also be true concerning the status of Jadakiss outside the States. It may be possible to pay tribute to him, but few people have strong feelings for him.
Not that the album "Last Kiss" will radically change the current situation. But in the lean spring period, when no giant will obscure the spreading shadow, the chances of Jadakiss are higher than ever to remind someone of themselves, and for someone to open their eyes to their creativity for the first time. The album "Last Kiss" begins with a typical "I'll kill everyone, I'll stay alone"-a track called "Pain & Torture", continues with an equally typical "I'm back, now hold on"-a track "Can't Stop Me" and without warning turns into a clockwork quadrille with pipes "Who's Real" - atypical, whatever you say, the product of Swizz Beatz with a brilliant hook "If you're real and you know it claps your hands" (and asks for a continuation on the account of "If you're not a sucker, what's there, send an SMS "not a sucker" to the number 4242"). And while we are trying to recover, Mary J. JADAKISS KISS OF DEATH DIRTY ACAPELLA MANUALīlige to perform far from the best chorus in her career to the motivational manual "Grind Hard". There is no need to be afraid - the desire to show different sides of your creativity did not turn the album into a stylistic vinaigrette. The general mood is sustained: this is New York and this is the street. Let Young Jeezy with a southern beat or Pharrell with his patented ugliness get into it, the sound of the album is not set by them, but by such tracks as the already mentioned "Can't Stop Me", "One More Step", "Things I've Been Through", "Come And Get Me", "Cartel Gathering".
The joint "What If" with Nas is made in the form of an enumeration - in the right hands, the scheme is almost a win-win, but only here Jade was outplayed by Nas on his field. The picture is completed by excellent bonus tracks: "Letter To B. G." with Biggie's widow Faith Evans, which you could hear in the soundtrack to "Notorious", and" Death Wish", which Jada and Lil Wayne read to the beat from Alchemist - the alliance is at least not banal. Well, by the way, one of the problems of the album is that as soon as a guest appears brighter, Jada seems to be blown away and turns into a background for just these Young Jeezy, Nas, or Lil Wayne. JADAKISS KISS OF DEATH DIRTY ACAPELLA MANUAL.
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